It takes a long time to gain acceptance for new idioms that are built on the sounds of previous generations. Some Norwegian musicians have been in the forefront of these developments, also internationally, and have created new approaches to improvisation: jazz where melody, harmony, improvisation, rhythm, and structure are based on other roots and other traditions than those of North America. My dream of recording an acoustic jazzalbum had matured through performing, composing, and releasing CDs since 1988. And for a long time, maybe even since I began my career as a freelance-musician I had been inspired by a dream of recording an acoustic album with a jazz quartet. I wanted to create something authentic in a different format, and collaborate with younger musicians. I had discovered and worked with improvisation and compositions based on Norwegian sources. It was possible, even liberating, and opened up a whole new world of possibilities for me. I felt the time was ripe in 2008 when I recorded the first album "Norskjazz no" with this quartet.
My main goal or force is still, to hear for myself whether the music that I have created through my exploration of Norwegian folk music can function in the format that is, perhaps, the one most closely associated with jazz from a historical perspective: the quartet.
Journalist Terje Mosnes has said that he defines Norwegian jazz as the music that is being played by Norwegian jazz musicians at any giventime – with their multitude of distinctive voices. I have always considered myself to be a jazz musician in the sense that I can improvise. I have never felt that it was important to put a label on my music. Is it Jazz? Who cares. It´s music. Pure music as only this quartet of Norwegian born musicians can express and perform it. Now, close to 2017, releasing the third studio-album Nordic Balm with this quartet, I know I have reached some goals, and new ones still appears - Thank you Andreas, Sigurd and Jonas. Thank you all listeners still listening.
Karl Seglem, autumn 2016
Karl Seglem Acoustic Quartet - Japan Tour coming up!
More info (in Japanese) here: http://diskunion.net/jazz/ct/news/article/0/61780
Music from Norway | By John Kelman
"Why and how has the Norwegian scene managed to build such a reputation, not just on its own turf but around the world? There are a number of answers to that question, but first and foremost is a commitment to the arts that began more than 40 years ago and which has, unlike so many other countries, remained a priority ever since. When Sverre Lunde, from the Ministry of Foreign Affairs, spoke at the 2013 Punkt Festival in Kristiansand – announcing that, after nine years, the Ministry would be providing some well-deserved (and much needed) financial support to the festival, and that Punkt was now considered amongst the country’s elite events – what was, perhaps, an even more compelling statement was that the country’s goal has been to devote a full one percent of its budget to culture. That means that last year, in 2012, ten billion Norwegian Kroners – nearly 1.7 billion US dollars – was devoted to the arts. As a Canadian in a bilingual country, there’s a French word to describe this: incroyable!"
|22/11 | 2017||Sogndal Kulturhus, Blaoboxen|
|12/02 | 2017||Tromsø Jazzklubb|
|11/02 | 2017||TBA|
|10/02 | 2017||TBA|
|09/02 | 2017||Lærdal Kulturhus|
|08/02 | 2017||Energimølla, Kongsberg|
|07/02 | 2017||Voss, Gamle kinoen|
|05/02 | 2017||Oslo, Kampenjazz|
|04/02 | 2017||Brelingen, Winterjazz (DE)|
|03/02 | 2017||Moster Amfi, Mosterhamn|
|02/02 | 2017||Big Dipper, Oslo|
|01/02 | 2017||Florø Kirke|
|26/01 | 2017||Kullebunden Jazzklubb, Kolbotn|
|25/11 | 2016||Mokkiriya, Kanazawa (JP)|
|24/11 | 2016||Jazz Flash, Niigata (JP)|
|23/11 | 2016||La Sone, Jyoetsu (JP)|
|22/11 | 2016||Airegin, Yokohama (JP)|
|21/11 | 2016||Nardis, Kashiwa|
|20/11 | 2016||Pit Inn, Tokyo (JP)|
|19/11 | 2016||Pit Inn, Tokyo (JP)|